THE NEW HOME FOR "PAETER'S BRAIN"!

Paeter is no longer posting to this blog. His new reviews and thoughts on geek entertainment (including all those previously posted here!) can now be found conveniently organized and archived at The Spirit Blade Underground!

Thursday, February 16, 2012

The New Home For My Reviews!


















This week I've begun "transplanting" my movie reviews to The Spirit Blade Underground, which will be the new home for my movie reviews starting this weekend, with my review for "Ghost Rider: Spirit Of Vengeance".

Although before now, The Spirit Blade Underground has been designed mainly for updates for my production company and a weekly Bible study, I'm changing the focus a bit to make it a hub for celebrating and examining geek entertainment culture from a biblical perspective, as well as exploring the Bible from a geek perspective.

So if you've enjoyed reading reviews of movies, or my thoughts on video games and board games of the geek persuasion, I think you'll enjoy the new "Spirit Blade Underground"!

The new posting format and emphasis of The Spirit Blade Underground will be taking shape over the course of the next few weeks, but I will plan to make an announcement here once it's gotten into the new groove.

I'm excited about the upcoming changes and I hope you enjoy them!

Stay tuned!

Tuesday, February 14, 2012

Skyrim Worship Revisited





















Since posting my thoughts on the religions of Skyrim, I've taken something of a newer approach in a somewhat "meta-gaming" vein. Now I've determined that my character is in some way "immortal", with origins from a higher dimensional plane. I've decided that my character has the same knowledge that I do. Namely, that his real name is Paeter and he lives in the real world and no one he interacts with in Tamriel is "real", but rather simulations of reality that some dark force has placed in my path to conceal the existence of the "First Cause", which I feel compelled by reason to seek out.

For this reason, a quest for power and dominance over Tamriel has become my focus. Not in the usual power-mad way you might think, since as I mentioned, my character is aware that his environment is an illusion and none of the "people" he interacts with have any real feelings. They are deceptive simulations.

Rather, my quest for power is so that I might finally have the strength to go toe to toe with the biggest, baddest cosmic "god" they can throw at me, and get him to squeal regarding the truth of the "First Cause" before he dies.

For this reason, I take on every quest I can, since knowledge and experience gives power toward this end. I do the "good" things and the "evil" things, playing the sick game of whatever dark power is trying to deceive me, until I can finally strip away the lies and begin my true quest for the truth.

Obviously, this would be a scary and psychotic way to approach real life (so I don't recommend it), but the difference here is that my character, an extension of me, knows objectively, based on irrefutable evidence, that his experience of Tamriel is an illusion.

In one sense this is an extremely nerdy way to take a game too seriously. Definitely pretty wacky, but a lot of fun. I even "sold my soul" to the daedra "Nocturna" in exchange for the power she coughed up, but little does she know she's gonna a get major butt kickin' too when the time comes! Stupid fake deity...

;-)

Saturday, February 4, 2012

Chronicle (Movie Review)





















Reviewing movies is usually fun, but sometimes when I go to review a movie, I have a strong suspicion that I won't enjoy it that much. Ordinarily, I wouldn't spend money to see it, but because I've built my podcast largely on sci-fi, fantasy and horror movie reviews, I feel an obligation to see and review every flick in those genres that I can as they come out. This means that it's very common for me to walk into a theater suspecting I won't have a good time and walking away feeling like my time and money were wasted. But there are those other times, when a movie could have turned out terrible, that I breathe a sigh of relief when it turns out to be a solid flick.

This was not my experience with "Chronicle". I suspected it might be an annoyingly shallow film, but hoped for at least a decent sci-fi movie, based on the trailer. Instead, what I got was a fantastic sci-fi film that fans of the genre will kick themselves for not seeing as soon as possible.

"Chronicle" is about three high school seniors who discover a mysterious, presumably alien substance underground. Their exposure to the object grants them all telekinetic powers which they learn to control more and more as the story progresses. At first, their abilities are merely sources of entertainment, as they play practical jokes on others, or in some way use their abilities to gain attention and favor with others. But Andrew, who is constantly mistreated and misunderstood, begins to lash out with his powers, bringing severe harm to others.

If at some point you begin to feel like you may have seen this movie before, you've probably watched the classic anime "Akira" at least once. It seems clear the writers took inspiration from Akira at several points, both visually and in terms of the story itself. Although "Chronicle" has far more sympathetic characters, and also a plot that makes sense.

The movie is shot in the increasingly popular documentary style, similar in some ways to films like The Blair Witch Project or Paranormal Activity. I've seen several movies that use the same shooting style as this one, but I've never been more impressed with the variety of ways in which the camera was used while still limiting every shot we see to what an "in story" camera could potentially record.

We start the film limited to only what Andrew captures with his video camera. But as the film progresses, we begin to see events through multiple camera sources including a blogger's video camera, news footage, in-store security cameras and similar sources. And in the second half of the film, telekinesis is also applied to control of the cameras, allowing for some angles never seen before in a "doc" style movie, but that are still consistent with the limitations of using only "in-story" cameras.

This may give you the impression that the shooting style will be used to cover up a low budget and keep the movie grounded. But by halfway through this movie, things are anything but "grounded", as the boys learn what a simple ability like telekinesis really makes possible. By the end, the scale on which their powers are used is nothing short of epic, and I was thrilled and thankful that many of the most jaw-dropping moments were not spoiled in the trailer.

Not to say that this is just an effects film, either. Andrew is the character through whom we experience most of the story, and despite the dark turn he eventually takes, it's hard not to be sympathetic with him. He is picked on mercilessly by other kids, abused by his step father and only develops friendships with the two other boys because of a shared common experience. Relative unknown Dane DeHaan plays the troubled, socially awkward Andrew with great sincerity, and may even remind you of a real kid you know or knew in high school.

My complaints about the movie are few. I would have loved to see actual high school age actors playing these parts. Seeing twenty-somethings in these roles has become common in Hollywood, but the film could have had added realism and intensity if they had cast more age appropriate actors, or changed the plot to be about college students.

Although most of the effects are wonderful, I felt that a few of the visual effects shots could have been better. A floating baseball comes to mind. (Why not just use fishing line, guys?)

Throughout the movie I ran into numerous themes worthy of discussion on the ride home from the theater. Andrew's cousin, Matt, who also gains super powers, has been reading a bit of philosophy for one of his classes and often has little nuggets to spout about human nature. He contends that we are "creatures of will" and can never have our desires satisfied. And biblical anthropology would agree with this, I think.

We are free creatures gifted with free wills, and yet because of sin we are separated from God, who is the ultimate source of fulfillment. Until the day when he removes our ability to sin and gives us new and perfect bodies, all of our attempts at self-fulfillment will fall short. It's possible the theme of "failing to fulfill our own desires" was an intended parallel to Andrew's story, who seems to believe that he can use his powers to get the things he wants from life.

Andrew himself also shares a personal philosophy that is intriguing. At one point he tells his camera that he has been thinking about evolution. Specifically natural selection and "survival of the fittest". He reasons that because a lion does not feel guilty when it kills a gazelle, that there would be nothing wrong with him harming or even killing a weaker human being.

This is a very striking statement, as it clearly demonstrates the inevitable, horrifying result of consistently applying a belief in naturalistic evolution to the way we live and think of others. Taken out of the realm of academic theory and applied to life, naturalistic evolution will lead to terrible harm inflicted on one human by another. This movie is far from an argument for theism, but it stands out among sci-fi films as being willing to shed light on the "dark side" of a worldview taken for granted by millions.

Near the end of the film, Matt comments that even after all Andrew has done, he is still not a "bad person". I have to say, after seeing all that Andrew had done to that point(watch the movie and see for yourself!), I'd love to ask Matt for his description of what a "bad person" WOULD have to do to earn the title! Does a poor upbringing or being mistreated by others give us license to lash out and harm or kill people? When DOES a person go from good, to neutral, to bad, and how does Matt know what this objective standard is?

Sure, it's being a bit nit-picky, but beneath the surface of small comments like Matt's are unstated yet deeply held philosophies about who we are and what right and wrong is that can be harmful if not examined and picked apart now and then.

Chronicle is a fantastic, dark-toned sci-fi flick that could have been revolutionary but settles for being a fantastic must-see film. It is also likely to give you some things to ponder about who we really are as humans when the curtain of idealism no longer hides our innermost desires.

Rated PG-13 for for intense action and violence, thematic material, some language, sexual content and teen drinking.

Quality: 9.0/10

Relevance: 8.0/10

Friday, February 3, 2012

Oops!

For those who were confused about me talking about my production company on this blog, I apologize. That post was meant for The Spirit Blade Underground Weblog and I accidentally posted it here. (I've since deleted it and re-posted it correctly.)

No wonder I'm looking to restructure my blogs! I can't keep track of the way I'm doing things now!

Thursday, February 2, 2012

Additional Blog Options









(Copied from a post I wrote on the SBU Forums)


Okay, so my thoughts are still bubbling in a pot of ideas regarding the new direction of the blog(s).

What would you guys think of me moving the reviews to the SBU blog and changing the tone of that blog to be more about geek culture from a biblical perspective? I'd still keep in search of truth and one post per week about company/project updates, but the third post, and any additional posts, would be focused on Geek culture.

I haven't looked into all of bloggers options yet, but I'm hoping that if I go this route I could set up multiple feeds so that those who are only interested in one category of posts could just follow those (In Search Of Truth, Company Updates or Reviews/Geek Culture).

I feel like my personal/random thoughts find a better home on the forums, and I think something like this scenario would help centralize the presence of SBP and also bring more focus to what I'm doing on the web.

Any thoughts, questions or alternative suggestions?

Thursday, January 26, 2012

Upcoming Changes For This Blog





















Recently it's become necessary to adjust my work schedule significantly to better serve my wife and two boys. The amount of time I spend working will change very little, although my day to day routine is being put on its head.

Because of this, blog posts are now much more likely to go up in the evenings and I'm also planning a change in the regular content of both the Spirit Blade Underground Weblog and Paeter's Brain.

My plan is to temporarily switch to a twice weekly posting schedule on Paeter's Brain (instead of three times) while retaining the regular schedule and content for the SBU Weblog. However once I have my ducks in a row, I plan to stop posting to Paeter's Brain and instead place the posts that would normally appear here elsewhere.

When I started "Paeter's Brain", I saw it as a way for listeners of SBP to see a little more of me as a person, and share in some of my random or not so random thoughts. But I believe the forums we launched in 2010 now serve that purpose much more effectively.

The movie reviews, my odd game reviews and philosophical musings about Geekdom from a biblical perspective will soon be posted on a new blog designed specifically for that purpose. I will also include an archive page that contains all of my past reviews and some other posts from Paeter's Brain. This will serve as a growing resource for Christian Geeks who are interested in engaging in their faith more as they enjoy the crazy fun that sci-fi, fantasy, horror and comic books offer.

In the end, I'm hoping this will allow me to leverage my time a little better and bring more focus (and more readers!) to the content I put online to represent Spirit Blade Productions.

If you have any questions, thoughts or suggestions as I prepare to move into this new territory, I'd love to get your feedback!

Tuesday, January 24, 2012

Underworld: Awakening (Movie Review)






















I'm a big fan of the "Underworld" movies. It's hard to beat vampires in leather and trench-coats leaping from tall buildings and blowing away werewolves with handguns. But this cool concoction gets even better when you add a dash of character and story worth caring about.

Star-crossed love has been a consistent theme in all three of the previous films, and two of those featured a pivotal romance between Selene, the ultimate werewolf killer among vampires, and Michael, the first vampire/werewolf hybrid in history.

Underworld: Awakening opens a few months after the events of Underworld: Evolution. The existence of vampires and lycans (werewolves) has now been made public, resulting in a worldwide attempt to exterminate both species. Michael and Selene make hasty plans to escape and live in secret far away, but are captured in the attempt. Selene is frozen by scientists for experimentation and is freed 12 years later. She immediately begins looking for Michael, but instead finds her 12 year old daughter, removed from her womb and allowed to grow up in the confines of a laboratory. Together they hope to escape and find Michael.

First off, I should say that if you haven't seen the previous films in the series, don't bother with this one. Although they briefly try to "catch you up" in the beginning, you really have no reason to invest in Selene if you haven't watched her story from the beginning. This, in itself is not a mark against the movie, just something viewers should be aware of.

The action in this flick is some of the best yet, especially where Selene is concerned. She has tons of cool drops, jumps, flips and fight choreography that make the first 30 minutes possibly the best action in the series so far. If you were hoping to have that itch scratched, you're in for a treat.

The visual look of the series is also intact, with washed out, cold color schemes even during the daytime. Costumes and props all look great. It's the signature look of Underworld from start to finish, gory action and all.

What seems to be missing is the movie's heart. As I mentioned, the previous films all had a romance at their core. Two people in love that the people around them viciously aimed to tear apart. This movie was completely missing that element, and the absence was obvious through most of the movie, which often seemed like a horror/action flick on auto-pilot rather than the emotionally driven pattern (or attempted pattern) of the rest of the movies.

Scott Speedman, who played Michael in the previous films, was not involved in Awakening, and as of yet I've been unable to hunt down a reason why. The Hollywood politics of this remain a mystery for now. Instead, in the brief moments Michael is seen, he is represented by a stand-in (human or digital, I'm not sure) always partially obscured by an object or special effect.

The script feels like the result of trying to scrape together a replacement for Michael, the result being his role clumsily divided among multiple characters. Selene's daughter is a hybrid like her father, and so brings the special abilities that he had to the movie in his absence, and two male characters serve as "stand-in male support characters", though without any romantic connections to Selene. (Though I often thought things like, "I'll bet that was Michael sitting next to her in the first draft.")

Many other elements also feel like uninspired repetition of earlier characters and story elements.

Selene encounters a vampire coven leader who stands in opposition to her agenda, with age, hair and wardrobe almost identical to the Victor character in the first three films.

As each film progresses and Selene becomes stronger, the final threat she faces must increase as well. First it was an ancient and powerful vampire. Then it was the first and very oldest vampire. But in this flick, her final foe is just a really big lycan who heals extra fast. Honestly, I was never concerned for her safety for even a moment.

The fact that the existence of vampires and lycans is now public knowledge is an interesting new twist, and I don't think it hurts the movie. In fact, it may just be the game-changing breath of fresh air the franchise needs. On the other hand, this is the "Underworld" series, taking its name from the HIDDEN war between vampires and lycans. So this change seems to go against the original premise of the movies.

Bringing a daughter into Selene's life is another big game-changer. Even if Michael were present for most of this story, a child usually changes the core story from a romance to a story about family. I'm not against this idea, but it seems like the writers aren't willingly invested in it so much as they've been forced into it.

Selene really could have carried one entire movie by herself, dealing with the tragic loss of Michael as it rips her part. After building up this romance for two movies, we should have spent one entire movie mourning its loss with Selene. Instead, Michael is quickly yanked out of the picture and Selene is forced to give lip service to her grief while also dealing with the sudden existence of a daughter. Bringing her daughter into the story before we could see Selene fully deal with the loss of Michael cheats those of us who have invested in the romantic side of these films, and I believe it was a big mistake.

Of course you might say, "they had to cram a lot into this movie since they never know if they'll be making another one later". But the writers seem very confident that they'll be making at least one more, as this movie virtually ends on a cliffhanger. (A poor choice, given our reduced lack of investment in these characters.) With a run time of only 88 minutes, a disappointing final fight and the ending they chose to go with, this feels like only the first half of a complete movie. If that's the case, and they can manage to get Scott Speedman back next time, there is still plenty of opportunity to restore this series and end it very well, placing this movie in the role of "set-up" for the grand finale. And I'd be cool with that. But this is a hard one to recommend to anyone but big fans of the previous films.

I'm scanning my brain for something I might remember in this flick that might lead to worthwhile discussion afterward, but I'm coming up with nothing. In many respects this feels like your average "Resident Evil" movie: Cool gory action with zero substance. Pure, mindless escapism, if that's what you're in the mood for.

For fans of the genre, it's not bad. A cool flick that even has moments of visual greatness worth a ticket or rental. But it's definitely missing something substantial.

Rated R for strong violence and gore, and for some language.

Quality: 8.0/10
Relevance: 5.5/10


For info on my review score system, visit spiritblade.net/reviewscores

And to listen to this review this weekend, visit spiritblade.net/podcast